In this, the first of a series of guest posts on how FrontlineSMS is being used around the world, Becky McLaughlin – Marketing Director at Rien que la Vérité – talks about their current use of the platform, and the impact it has had on their work
“Based in the Democratic Republic of Congo, Rien que la Vérité was born in 2006 when some of the finest musicians in the Congo united to produce a CD of songs speaking against the spread of HIV/AIDS. Since 2006, the Rien que la Vérité platform has produced 14 music videos, a documentary, and an all-day stadium concert. In its present incarnation, Rien que la Vérité is touching the lives of the people of the Congo through their television screens as they follow the lives of a Kinois family on a locally-produced TV drama.
Rien que la Vérité – the TV series – launched nationally on November 30th, 2008 and first implemented FrontlineSMS in the airing of its second episode on December 14th. Each episode broadcast is accompanied by short talk-show segments during which a host introduces music clips, talks to well-known musicians and actors, and interviews representatives from local NGOs and organizations whose message dovetails with a theme introduced in the show.
During the December 14th show, the audience was invited to participate by sending an SMS with the name of their favorite character. The responses were collected using FrontlineSMS. This simple first step allowed Rien que la Vérité to test the software and to begin an exploration of our audience’s perceptions and preferences. As the show continues we plan to introduce more simple polls that will help tailor the show to the audience’s tastes, and give viewers a sense of ownership of the program.
This, however, is the most basic use we foresee. We are now launching a drive to support fan clubs, so that people who watch the show can find each other, meet, and talk about the show and the topics it introduces – a process that will begin to normalize conversation about HIV/AIDS. We’ll use FrontlineSMS to collect contact information from interested fans, then broadcast messages with times and locations for local club gatherings. We also intend to use FrontlineSMS in our research for measuring the impact the show has on our target audience. We’ll send out questions via SMS to fans before and after each show, measuring any changes in attitude, knowledge, or self-reported practices due to exposure to the show’s messaging.
FrontlineSMS will be a critical tool in our goal to entertain and educate. Like its television format, Rien que la Vérité’s future development must remain grassroots, and FrontlineSMS is an excellent vehicle for this.”
Rien que la Vérité