Seizing the moment

Back in the summer of 2005, a few friends and colleagues gathered in a corner of the Commonwealth Club in London. There were environmentalists, conservationists, communications experts, senior mobile industry executives, businesspeople and a couple of potential investors. What brought us there was the Galileo Masters, an annual competition which awards incubation opportunities for innovative satellite navigation applications. FrontlineSMS development was just about to begin, kiwanja.net was beginning to grow and it was a time rich in ideas. Not surprisingly for a meeting dominated by conservationists, it was an environmental application which won through. On 8th June 2005, our Mobile Environmental Monitoring Device was born. Our idea was this.

A Mobile Environmental Monitoring Device (MEMD), tracked by Galileo, would gather environmental information as people move through their landscapes. Indicators such as temperature, air quality, CO2 levels and air pressure would be recorded along with a fix on each location. For the first time individuals will be able to monitor their own exposure to local, relevant environmental hazards. Although initially a standalone unit, MEMD could converge with other technologies in the future, such as mobile phones and PDAs, providing enhanced functionality and communications ability. Each data set, gathered by each MEMD unit, would provide the user with a snapshot of the state of their environment

The idea was a bit on the grand side (see a bigger diagram) and we didn’t win, which was probably a good thing since none of us really knew if the thing was possible. MEMD was consigned to the archives like an earlier mobile payments concept (which has also since taken off). I started work on another project which later became FrontlineSMS, and life moved on.

The idea was well and truly buried until recently, when I came across this – the Nokia Eco Sensor Concept. According to Nokia:

Our visionary design concept is a mobile phone and compatible sensing device that will help you stay connected to your friends and loved ones, as well as to your health and local environment. You can also share the environmental data your sensing device collects and view other users’ shared data, thereby increasing your global environmental awareness

Interestingly, their monitoring device pairs with a mobile phone – which was what we had in mind – collects similar kinds of environmental data, allows it to be shared and aggregated and is designed to increase environmental awareness. It looks like we were just a little early on this one.

Ideas, of course, are one thing. Having the resources to execute them is another (something which, to this day, remains a challenge). Back in 2005 we were left to wonder if MEMD would ever have been possible.

Two years later, Nokia have shown us that it is.

Standing up for the small guy (part 1)

Picture this: The writer of a zulu tune written in 1939 dies in poverty 20 years later. His song goes on to become one of the most popular tunes in Africa, and is recognised the world over. Ownership of the copyright ends up in American hands, and finds its way into a film which becomes a worldwide hit. The film makes tens of millions of dollars, and is then turned into a successful stage musical – a few more million in the bank and counting. The song reportedly makes $15 million but the family of the writer get $15,000. As Rolf Harris would say, can you guess what it is yet?

Now, I’m no expert in copyright law, although apparently it should have reverted back to the family of the deceased 25 years after his death, so that would be 1987. Something somewhere seems to have been overlooked, but the family eventually sued and won an ‘undisclosed’ out-of-court settlement. Another case of the multinational/big corporate beating the small guy with a stick?

Ethics are a wonderful thing, and many people don’t argue against them particularly. Unless they get in the way of making a few quid, that is. Ask a hundred people on the street what they think and I bet most would side with the small guy, but they don’t have their finger in this particular financial pie. Ask a hundred shareholders – of Disney in this case, if you were wondering – and I suspect you’ll get slightly different results. The trouble is that exploitation of this kind is probably taking place all the time, but we never get to hear about it. I bet there are a lot of really pissed-off people out there…

But what happens when one of the stars of a film, or book, or song can’t speak for itself? I’m thinking wildlife – whales, dolphins, gorillas, lions and all manner of worldly creatures. There’s also a very compelling ethical/financial issue here. It’s ironic that most of the ‘wildlife stars’ in these productions happen to either sit on, or uncomfortably near, the ‘critically endangered’ or ‘critically threatened’ list. How much of the hundreds of millions (even billions?) of dollars made from films such as The Lion King, King Kong and Free Willy been donated to the conservation of these very species? I’d like to do a little more research on that one.

Musically speaking, Michael Jackson’s epic ‘Earth Song’ from 1996 – “What have we done to the world, Look what we’ve done” – takes us through almost everyone’s top 10 favourite animals (“What about elephants, What about crying whales” and so on) and drives home their destruction and death. Not knowing how much money was made globally by this massive hit, again it would be a very interesting exercise to find out how much was donated to causes trying to save those very elephants and whales. I’ll happily stand corrected, but again would be very surprised if it were much, if anything at all.

Wouldn’t it be great if there was a law which made it compulsory to donate a certain percentage of income (and not just a token amount, either) to the preservation of any species which take a central role in your song, film, photograph or book? After all if lions, gorillas, whales, ants and so on didn’t exist then we wouldn’t be able to enjoy watching films about them, whether they’re turned into rampaging 30 foot monsters with attitude, changed into cartoon figures or kept in their natural form.

Unless something gives the only place future generations will be able to see these magnificent creatures will be in dusty film archives – or at best a zoo – and that would not only be a real shame but an ecological and environmental disaster.